Embodying Music: Principles of the Mimetic Hypothesis
نویسنده
چکیده
[1] This essay describes a hypothesis of how music becomes internalized into the bodies and minds of listeners. The hypothesis underlies a larger theory of musical meaning, concerning affect, metaphoric reasoning, gender, and other areas of inquiry related to bodily experience, but the implications for these larger areas of meaning must wait until the details of the hypothesis have been made plain. Accordingly, this essay focuses on these details and is only suggestive of some of the implications.
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